Koffi Olomide, the undisputed “King of Soukous, Malembe” weaves magic with his Congolese rhythms and powerful vocals. “Tshou Tshou Tshou,” not just a catchy title, pulsates with defiance and introspection, offering a glimpse into the soul of a legend.
The song ignites with a swaggering declaration: “Sisters in Christ, I’m not drunk. It’s just my way.” Koffi owns his flamboyance, his “skantene,” unfazed by criticism. This audacious spirit spills over into the chorus, where “Ba sister en Christ” transforms into “Mama Elisa,” “Mama Minou,” and even “Antoine,” embracing a wider community while refusing to conform.
“Soki valeur na nga solo Rambo / To ba matoyi mpasi ba zonga na mbula oyo ekoya,” he thunders. “Either my worth, me Rambo / Or stubborn people, let them come next year.” Koffi asserts his value, refusing to compromise his essence for fleeting approval. It’s a powerful message of self-acceptance, resonating with anyone who’s ever felt ostracized for being true to themselves.
But “Tshou Tchou Tshou” isn’t just about bravado. It delves into deeper reflections. The repetitive “Ekomi oleka, ekomi oh reveser” (“It’s too much, it’s not a secret anymore”) hints at a weariness with societal pressures and judgment. The poignant question, “Ndenge nini yango Masumu nyoso tout ya mokili se na moto moko?” (“Why do we blame one person for all our sins?”) exposes the human tendency to scapegoat and the need for collective responsibility.
Koffi finds solace in faith. “Manso mpangi eza na maboko ya Tata Nzambe” (“Everything is in the hand of God the father”). He acknowledges the limitations of human judgment and surrenders to the divine. And through it all, the chorus rings with reverence: “Nzambe nde aza elonga / God is glory.”
The final verses are a poignant plea to God: “Est-ce que biso bato okela na elili nayo / Okelaki biso po to mona seko mpasi / Ata un jour esengo te eh?” (“Did you create us in your image / So that we can continually suffer / Not even a day of joy?”). Koffi questions the nature of existence, expressing hope for a world where joy prevails, a sentiment that transcends cultural and religious boundaries.
“Tshou Tshou Tshou” is more than just a song; it’s a testament to Koffi Olomide‘s artistic depth. It’s a celebration of individuality, a call for self-acceptance, and a poignant reflection on faith and suffering. So, crank up the volume, let the “Tshou Tshou Tshou” pulsate through you, and lose yourself in the soul of a Congolese legend.
P.S. Want to experience the full magic of “Tshou Tchou Tshou”? Check out the music video! Koffi’s flamboyant dance moves and infectious energy are guaranteed to put a smile on your face.
